A picture paints a thousand words
The lure of rural, regional and remote teaching
DOI:
https://doi.org/10.47381/aijre.v36i1.844Keywords:
Rural regional and remote teaching, teacher education, early career teachers, phenomenological research, photo analysis, deficit discoursesAbstract
Globally education providers are struggling to employ teachers across all school sectors. This crisis is acute for rural, regional, and remote schools in Australia, where the isolation, limited services and impact on career pathways are major deterrents to attracting and retaining qualified teachers. These challenges often overshadow the personal and professional benefits associated with teaching within rural communities. This phenomenological research aims to explore teaching in regional, rural, and remote schools by describing and interpreting photographic artifacts supplied by university alumni teaching in these locations. Findings from thematic analysis of the photo stories reveal commonalities relating to the environment and the people who live in these locations. The environment theme related to natural beauty, serenity, and time to enjoy outdoor pursuits, where participants felt these helped them to cope with the pressures of teaching. The people theme revealed how the participants developed close connections to their colleagues and the wider community. They felt these connections helped to overcome both the social-emotional and professional challenges they faced in their teaching role. Findings demonstrate the importance of social, cultural, and professional immersion for teachers when working in rural, regional, and remote locations and highlights the benefits to their overall health and well-being as they face challenges of the job common to all teachers. This study serves to better inform graduating teachers about the benefits of teaching in rural, regional, and remote communities, by providing a balanced, strength-based view of teaching in these locations and redress the staffing crisis these areas consistently face.
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Copyright (c) 2025 Sharon Louth, Tracey Sanderson
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